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Fresh Prince powerfully showed me how to embrace my blackness, irrespective of situation or location. In showing that her story mattered, the show signaled to me that I mattered. The Fresh Prince showed her going on dates with teenage heartthrobs, engaging in Girl Scout-related hijinks, exploring after-school jobs, and dreaming of a music career. Sometimes she even had the spotlight all to herself, allowing the show to trace her development as a character. She avoided the one-dimensional tropes common among black female characters-she was neither the Loyal Best Friend With Sage Advice, nor the racially codified Sassy Sidekick. If my white friends related to Lizzie McGuire, then Ashley Banks, the family’s younger daughter, was my Transatlantic counterpart. The show’s younger characters were instrumental in helping me forge my identity as a black girl. We could see ourselves as professors-turned-dancers, Barry Manilow fans, millionaire Ivy League lawyers, glee-club singers, or even-like the sarcastic butler, Geoffrey-British. We liked the idea of challenging that.” On The Fresh Prince, black characters could be serious, whimsical, profound, shallow, or dorky. In a 2015 interview with TIME, the show’s co-creator Susan Borowitz noted, “There was a sense of this monolith of a black experience. and global audiences that black people were multidimensional individuals, rather than a uniform entity. The globalization of African-American culture and music resonated with young British audiences, contributing to the show’s appeal. According to the media scholar Timothy Havens, The Fresh Prince gained “unexpected popularity” in Europe, and by 1997, it was the second best-selling U.S. In the ’90s, only the barbershop-family sitcom Desmond’s and the BBC sketch show The Real McCoy offered a tiny, comedic glimpse into black British life. When the show debuted on British screens, it offered a kaleidoscopic array of black characters rarely shown on mainstream television.
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The Hollywood Reporter may have initially said the series was “far from a revelatory experience,” but The Fresh Prince powerfully showed me how to embrace my blackness, irrespective of situation or location. Besides giving me a vault of quotable punchlines, Will and the Banks family taught me countless lessons. My surroundings undoubtedly skewed more toward Highlander than Bel-Air, but through The Fresh Prince, I finally saw people who looked like me, who lived like me-as rare black faces in a predominantly white place. (You can watch it below)The four-minute spec trailer received a lot of praise, including from Will Smith who appeared in a video with Cooper, telling the filmmaker, “That’s an idea that is brilliant.As a U.K.-born Nigerian girl living in the sparsely populated Highlands of Scotland, I was more likely to hear about another alleged Loch Ness monster sighting than I was to see an actual black person in town. The short film by cinematographer Cooper took the Internet by storm when it was released in March 2019 it has amassed more than 7.5 million views to date in two official YouTune posts alone. Westbrook Studios, a division of Jada Pinkett Smith and Will Smith’s Westbrook Inc., and Universal TV, which owns copyright to the original series, will serve as the studios. The series is also executive produced by Will Smith, Terence Carter, James Lassiter, Miguel Melendez, Quincy Jones, Benny Medina, and Andy & Susan Borowitz. With a reimagined vision, Bel-Air will dive deeper into the inherent conflicts, emotions and biases that were impossible to fully explore in a 30-minute sitcom format, while still delivering swagger and nods to the original show. Set in modern-day America, Bel-Air is a serialized one-hour dramatic analogue of the 90’s sitcom The Fresh Prince of Bel-Air that leans into the original premise: Will’s complicated journey from the streets of West Philadelphia to the gated mansions of Bel-Air. Collins is an executive producer and showrunner. I hear it went down to Peacock and Netflix, resulting in a two-season pickup.Ĭooper will direct and co-executive produce the series, which he is co-writing with Collins ( The Man in the High Castle). The project was pitched to streamers last month, drawing strong interest and big commitments, including multiple straight-to-series orders, to set up a bidding war. Will Smith Looks Back At His Career, And Names His Worst Choice Of Film Roles
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